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“Piano playing requires the accurate coordination of finger movements on both hands. Each finger movement has to be sequenced in the right order and executed with the right pace relative to finger movements on the same or the other hand. Skilled piano players can rapidly sequence these movements in GSK1349572 manufacturer case of playing a familiar piece, however, in case of an unfamiliar piece, their movements become slower, less precise and seem to require more attention (Drake and Palmer, 2000 and Lotze et al., 2003). Previous studies suggest that different processes underlie the execution of familiar as compared to unfamiliar sequences of movements (e.g. Hikosaka et al., 1999,
Ivry, 1996 and Verwey, 2001). These processes can be studied by using so-called discrete movement sequences, which are relatively short sequences of movements usually consisting of three up to six
key presses with a clear start- and endpoint. The learning of these sequences has been described in several models, and is indeed thought to develop from an initial controlled attentive phase to a second automatic phase in which attention is no longer needed (e.g., Cohen et al., INCB024360 mouse 1990, Doyon and Benali, 2005 and Verwey, 2001). In our study, we examined whether these different processes underlying the execution of familiar and unfamiliar sequences of movements are already active while preparing these movements, by focusing on several measures derived from the electroencephalogram (EEG). Sequence learning can be studied by using the discrete sequence production (DSP) task. In a typical DSP task
discrete sequences are practiced by responding Isotretinoin to series of three to six key-specific stimuli. All stimuli, apart from the first stimulus, are presented immediately after the response to a previous stimulus. Since sequences have a limited length and a clear beginning and end, the DSP task is especially suitable for studying hierarchical control and segmentation (Rhodes, Bullock, Verwey, Averbaeck, & Page, 2004). Behavioral results of the DSP task show that execution gets faster with practice and that some keypresses within a sequence are executed consistently slower than other keypresses, which is assumed to index the segmentation of motor sequences (Verwey, 1996). As segments consolidate with practice, it is suggested that each segment involves the execution of a motor chunk (Verwey & Eikelboom, 2003). With practice, chunking can speed up the selection and initiation of familiar segments (Verwey, 1999). In motor sequencing tasks like the DSP task, anticipation and programming of the next motor response may already start while executing the previous response (Eimer, Goschke, Schlaghecken, & Sturmer, 1996).